Cancel your weekend plans, because Chicago’s very own re-issue label Numero Group plans to sell new and used vinyl and other merch from 9 a.m. to 3 p.m. at its home-base in Little Village (2348 S. Marshall) this Saturday.

In addition to opening its own collection of LPs and 45s (minus Boddie), there will be odds and ends such as books and maybe even a “gently used” sombrero. What’s a record dig without music? Rest assured that the “weird shit,” as Numero Group writes on its blog, will flow out into the open as you browse.

Numero Group previously held a pop-up store in Wicker Park for Record Store Day back in April.

Numero Group

There is no question that Chicago label Numero Group, which specializes in re-issues, feels strongly about defending the catalog it has come to possess.

Then, it is no surprise that the label took to its blog and twitter on Tuesday afternoon to accuse hip hop giants Kanye West and Jay-Z, as well as West’s sampling house, of illegally using a sample from Chicago soul singer Syl Johnson’s “Different Strokes” on West’s track “The Joy,” which appears on the deluxe edition of his Watch the Throne collaboration with Jay-Z.

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Last week, Chicago record label Numero Group, which deals exclusively with reissues, posted a succinct note on its blog stating that it would not join Apple’s newest service iCloud.

The biggest point of contention for Numero Group is not iCloud’s storage service, but its scan and match element scheduled to debut this Fall. The subscription service called iTunes Match will cost users $25 a year and allow them to trade their less than legally obtained music for the real deal (if you’ve done that sort of thing).

Numero Group statement via its blog post:

The simple reason is that Apple and their major label “partners” have created a reward system that is both incomprehensible in scope and totally out of sync with iCloud’s streaming peers’ (Rdio, Spotify, et al) financial mechanics.

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Over the course of the legendary Syl Johnson’s over 50 year career, the Chicago soul singer has amassed a voluminous catalog of some of the soulfulest tunes around.

That catalog is getting the Numero Group treatment in the form of the box set, Syl Johnson: Complete Mythology, a four CD, six LP collection that spans the entirety of Johnson’s storied career.

To celebrate this release Johnson will take the stage at the Old Town School of Folk Music on November 27 and for the first time ever he’ll be performing songs from throughout his 50 year career, many of which have never been played outside the walls of the studio.

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Wilco’s Solid Sound Festival finalized its lineup and schedule for the event slated for Aug. 13-15 at MASS MoCA in North Adams, Mass.

Though the fest will take place outside of Boston, the band is making sure the weekend is filled with some Chicago love.

Among those included on the bill are Mavis Staples, whose upcoming album You Are Not Alone was produced by Jeff Tweedy, Wilco side projects The Autumn Defense, Pronto and The Nels Cline Singers, Deep Blue Organ Trio, On Fillmore and several audio/visual DJ sets by Numero Group.

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Monday Afternoon Quick Fix runs every Monday afternoon to showcase the best of Chicago music news, views and stories from around the interwebs and blogosphere that we might have missed.

• • After only having acquired the service last December, Apple decided to shut down Lala.com with users being directed to iTunes.
• • Gaper’s Block had another great live review, this time of the Yeasayer, Sleigh Bells and Chandeliers show at the Metro from last Thursday.
• • Windy City Rock gave a fine review of the new album The Fakeout, the Tease and the Breather from the local group Canasta.
• • Greg Kot interviewed prog rockers Porcupine Tree prior to their concert at the Rivera Theatre last Friday.
• • NBC Chicago reported on the story of how local reissue label Numero Group ended up releasing a record originally compiled as a bootleg.

“Celestial Navigations: The Short Films of Al Jarnow,” the first film compilation by Numero Group, will make its Chicago debut this Friday and Saturday night at the Gene Siskel Film Center.

For producer Michael Slaboch, seeing this labor of love come to fruition has been a long time coming and so far has garnered two sold out screenings at the 92Y Tribeca in Manhattan.

“The project took four years from first thought to the screening in New York City last weekend,” said Slaboch.  “The first two and a half years it sat on the dry erase board.”

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