Here are three there’s-no-TV-series-finale-tonight-so-there’s-not-an-excuse-not-to-go reasons to head out to the Double Door this evening for a hot line-up of local talent… 1. Headlining tonight is The Sweeps, one of our 10 Chicago Bands to Watch in 2010. Last time I checked, it was still 2010, so this gives you a perfect opportunity to do what we say and watch the power pop band – and be ready to hear some of their new recently debuted songs. 2. The gig is a benefit for the American Red Cross in what’s being called “Wine From The Moon ‘Bands’ Together for Haiti.” Last time I checked the folks in Haiti still needed our help, so this gives you a perfect opportunity to donate (perhaps again) to this worthy cause. 3. Everyone can get excited about an all local, all Chicago line-up, right? Tonight there’s a little of everything with the hard rock of The Outbreaks, the rock-reggae of Jackpot Donnie, the classic-psychedelic rock Model Stranger and the funky jamming On the Run. Surely you can find something in there you like, no? 9:00 p.m. Tuesday, 5/25. Double Door. 21+ $7 By   \  comments
Monday Afternoon Quick Fix runs every Monday afternoon to showcase the best of Chicago music news, views and stories from around the interwebs and blogosphere that we might have missed.
  • • Fake Shore Drive posted a cool (mostly) black and white video of Twista’s experience throwing out the first pitch at a White Sox game.
  • • Love Shack Baby caught up with buzz-band Mumford & Sons Ben Lovett before their show at Lincoln Hall.
  • • Greg Kot bravely ventured into reviewing Teargarden by Kaleidyscope 1: Songs for a Sailor, the latest installment from Billy Corgan latest version of Smashing Pumpkins.
  • • Mt. Prospect native Lee DeWyze made it to the finals of American Idol where he’ll face off against former Chicago resident Crystal Bowersox.
  • • Screen Rant put together an illuminating review of Conan O’Brien’s show (which was as much a concert as a comedy show) at the Chicago Theatre May 20.
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I often lament the fact that so much of what’s being passed as new music these days is nothing more than regurgitated sounds of previous eras. The trend to be new-new-this or neo-this or post-that on more than one occasion caused me to implore that I just want to hear something new. There’s nothing really new in that regard about Sharon Jones & the Dap-Kings latest I Learned the Hard Way, but it’s no secret what the band and their leader aimed to accomplish: a true to form soul record.

Let’s be clear: it’s not neo-soul, it’s not post-anything – this is the pure funkiness of Motown and the silky soulfulness of Stax wrapped into one authentic and now signature soul sound.

Vintage? Yes. Stale? No.

Would it be nice to see more growth from album to album? Perhaps, but this album is less raw, more skillfully crafted and better shows of Jones’ vocal range than the group’s previous efforts.

Everything about I Learned the Hard Way is professional. Jones is a pro, a singer’s singer who knows her instrument and how to use it. The band is so tight you almost miss it, forgetting how difficult capturing such a sound and mood can be while still hitting all of the changes.

The fact is, a voice like this should be heard and music styled like this should still be made. “Money” a smart commentary on our current economic condition, shows off Jones’ range, intensity and ability to relate to a song. It mixes big horn riffs with a rumbling rhythm that’s all attitude. “If You Call” demonstrates Jones’ skill at delivering lyrics gently, calmly, but with all the emotion found in her passionate wails. There’s a pain in her voice that makes her believable. She’s living and dying with the song, not just cutting a vocal and collecting a check.

At the mid point of the album comes “The Reason.” This instrumental number allows the Dap-Kings to shine. Possibly the sharpest band in the business the Dap-Kings are the reason Sharon Jones isn’t just another talented singer. Not only do they provide the backbone to the grooves that are a staple of Jones’ sound, the intricate horns, funk driven bass, raw guitars and cool organs legitimize the classic sound and deepen the soulfulness.

The closest the band comes to stepping away from a classic soul sound is on “Better Things" featuring a piano riff that sounds like it was made to be a hip-hop sample. Jones’ delivery is powerful, strong and gritty. There’s an early 90’s Mary J. Blige or Mariah Carey R&B vibe to the song.

The title track and the opening “The Game Gets Old” share a similar cinematic feel, like they belong on the soundtrack of film alongside Curtis Mayfield. There’s a breezy, funky and jazzy feel these songs feature almost like they took tracks from the Menahan Street Band (a Dap-Kings side-project steeped in mid 70’s groove) and layered in Jones’ superb vocals.

Ultimately you want to see a band grow from album to album as progression keeps listeners interested, and there could be more of that on I Learned the Hard Way. But Sharon Jones & the Dap-Kings may just be the rare anomaly that’s able to move forward while looking back by staying true to classic sounds in a contemporary world.

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Catch Sharon Jones & the Dap-Kings on Friday, May 21 at the Vic Theatre. Tickets are still available right now at Ticketmaster.com for only $22! The show kicks off at 8:00 p.m.

______________________________________________________________________________________________ Sharon Jones & the Dap-Kings - "I Learned the Hard Way"

httpvh://www.youtube.com/watch?v=3cckkzRDBAo

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Monday Afternoon Quick Fix runs every Monday afternoon to showcase the best of Chicago music news, views and stories from around the interwebs and blogosphere that we might have missed.
  • • Check out Greg Kot’s interview with the Lollapalooza organizers regarding the expansion in size and tickets for this year’s festival.
  • • Windy City Rock gave the scoop on the new record store saki opening soon in West Logan Square.
  • • The first set of acts joining Wilco at the Solid Sound Festival were announced.
  • • Liz Phair chatted with Starpulse about making music for television and a possible album in the future.
  • • Fake Shore Drive hipped us to some of the details about Rhymefest’s new album El Che.
  • • Gaper’s Block had a fantastic feature about ukulele players in Chicago.
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The Mayne Stage upcoming schedule is slowly leaking out, despite the fact that an official opening date has yet to be announced. The AV Club spotted a calendar entry on the venue's Facebook page for June 18 and 19  for Just For Laughs Not Inappropriate comedy show hosted by Bob Odenkirk (though a link from the venue's main Web site includes a June 17 date as well). And the ChicagoNow MetroMix blog posted information on rumored musical acts expected to be booked at the club. According to ChicagoNow, on July 2 and 3 Ann Hampton Callaway will perform, Ron Hawking will play July 8, 9 and 10 and on July 17 Michael McDermott will take the stage. Comedian Mike Toomey is also listed in the AV Club post as playing July 24.  Stay tuned for more updates as these and other acts are confirmed. By   \  comments
Monday Afternoon Quick Fix runs every Monday afternoon to showcase the best of Chicago music news, views and stories from around the interwebs and blogosphere that we might have missed.
  • • Hidden Track’s DaveO ran down his Top Ten Memorable Moments from Umphrey’s McGee’s UMBowl at Lincoln Hall.
  • • Windy City Rock posted an in-depth interview with the cleverly named local trio The Locals.
  • • Got an extra $4million lying around?  Lucky for you then, because you can buy Kanye West’s 4,214-square-foot Hollywood home.
  • • I wrote about My Gold Mask and their savvy use of Twitter over at Twitter Journalism.
  • • Jim DeRogatis said farewell with his last Sun Times column by focusing on the 15 best live concerts he’s seen in Chicago.
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Monday Afternoon Quick Fix runs every Monday afternoon to showcase the best of Chicago music news, views and stories from around the interwebs and blogosphere that we might have missed.
  • • After only having acquired the service last December, Apple decided to shut down Lala.com with users being directed to iTunes.
  • • Gaper’s Block had another great live review, this time of the Yeasayer, Sleigh Bells and Chandeliers show at the Metro from last Thursday.
  • • Windy City Rock gave a fine review of the new album The Fakeout, the Tease and the Breather from the local group Canasta.
  • • Greg Kot interviewed prog rockers Porcupine Tree prior to their concert at the Rivera Theatre last Friday.
  • • NBC Chicago reported on the story of how local reissue label Numero Group ended up releasing a record originally compiled as a bootleg.
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